Change in mask position when copying mask path to position path (Extendscript) by Emre Mutlu Adobe After Effects Expressions.29.97i delivery with 29.97p renders as source by Keith Roberts Adobe Premiere Pro.VEGAS 12 pro WINDOWS ARE COMPLETELY MESSED UP by Wayne Grauel VEGAS Pro.by Daniel Manaus Adobe After Effects Expressions Offset at time / Slow parent speed as it goes away from a object.
TWIXTOR REVIEW HOW TO
TWIXTOR REVIEW MOVIE
We are now attempting to take our interlaced Uncompressed Hi Def footage (in a FCP v5 project) and use your “Field Kit” to De-interlace to 60p and then your “Twixtor Pro” to convert from 60p to 24p – hoping that Twixtor will smoothe out a lot of the jittery shots or at least improve upon the hardware Terranex approach of simply chopping out 6 frames per second…ġ) Does what we’re doing make sense? Is there a more intelligent approach? Do we benefit by performing the steps separately?Ģ) Does each step (1 field kit and 2 Twixtor frame rate conversion) require exporting an entire copy of the movie in HD uncompressed? Does that mean we will need enough storage for 2 more uncompressed copies of our film?ģ) Is doing this in HD Uncompressed going to take more time than working in an HDCAM sequence or is it just a storage issue?Ĥ) Can anyone guess the time it would take to do this 2 part process to our entire 79 minute movie in HD?
To get to 24p we did a hardward frame-rate conversion of the show through a Terranex that obviously created a lot of jitter in many of our shots. We blew up our SD master to Hi Def (using a terranex – remaining interlaced) and then color corected in Hi Def. I have read a lot of great reviews about re:vision’s Twixtor and Field Kit products but I thought I’d throw this out to the board. I am an editor/producer of a doc that is preparing to go to film.